Hello dear ear-tearer
I hope you had a good time in Holland; I sure had a couple of days ago! The new album is a bit different than the previous ones, I think.
It already starts with the extremely flashy artwork. All those lightbulbs, all that red, all that gold, all that hair, all that display of convinced looking sexiness, and... do I even see a (Christmas) tree at the background? Wow, it's like a Christmas card from heaven that makes The Spice Girls look like a bunch of Ebenezer Scrooges. It dizzies me...

(You're the only one that still kept a rather odd outfit and hairdo, way to go Emily!)
It sounds like the Bæbes show some more balls on this album than before (or should I say boobs?). It appears that the artwork justifies the music. I think it's less folky or gothic like, and (on a couple of songs) a slight move towards more pop-orientated music. Did I say slight? I mean SLIGHT! The album sounds superb, by the way. Convinced, modern and rich in arrangements. It sounds maybe even a bit slick. Normally that's not a word I use in a positive context, but somehow the Bæbes compensate this with a more sexy undertone (well, make it
uppertone) in the songs. I also think the vocal capacities have improved (a lot), and they were already of an angelic level. All in all, the album still has to grow on me, but up till now I think the Bæbes have managed to do the same with a sextet as what they did before with a dozen: create a vibrant, varied collection of hypnotizing micro-hymns. I'm only not completely convinced yet about the rather sacral-sounded closing song 'La Belle Dame Sans Merci'.
My favourite tracks are so far: 'Desert Rose' (excellent composition Emily!), 'To The One', 'I Sing Of A Maiden', 'Sunrise' (also thanks to Faun), and especially Robert Burns' 'Yonder Lea'. Damn, that latter one's a great song to play live! Why didn't ya? [sulk, sulk]
Greets and the compliments from your Dutch Mediæval hædbanger,
EvilDrSmith